The eNotes Blog Remembering Mary Oliver

Remembering Mary Oliver The beloved American poet Mary Oliver (1935–2019) died today, leaving behind a rich and vast body of literary work. Oliver was arguably the most popular poet of her generation, best known for her poems of the natural world.   Her style is quickly recognizable; at once sublime and grounded, her language conveys sweeping spiritual states through tactile and terrestrial detail. In her signature blend of breathless reverence and plain-spokenness, Oliver carries forward the voices of the American literary past: Emerson and Thoreau, Dickinson and Whitman. Oliver was a gifted prose writer as well, producing volumes of prose poems, such as Blue Pastures, and books of insightful essays, such as Upstream. Her slim, lucid volume on poetics, A Poetry Handbook, should be required reading for any poet or lover of poetry. In remembrance of Mary Oliver, we’ve gathered a handful of her poems that offer a glimpse into her indelible contribution to American literature: Music Lessons Sometimes, in the middle of the lesson, we exchanged places. She would gaze a moment at her hands spread over the keys; then the small house with its knickknacks, its shut windows, its photographs of her sons and the serious husband, vanished as new shapes formed. Sound became music, and music a white scarp for the listener to climb alone. I leaped rock over rock to the top and found myself waiting, transformed, and still she played, her eyes luminous and willful, her pinned hair falling down - forgetting me, the house, the neat green yard, she fled in that lick of flame all tedious bonds: supper, the duties of flesh and home, the knife at the throat, the death in the metronome. *** Oliver turns a memory of piano lessons into a meditation on the transformative power of music as well as the tug of time. In a synesthetic twist, music becomes earth, â€Å"a white / scarp for the listener to climb // alone.† The enjambment before â€Å"alone† is both clever and affecting, as is the poem’s unforgettable final phrase, â€Å"the death in the metronome.† Wild Geese You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting -                                                                            over  and over announcing your place in the family of things. *** Like many of Oliver’s best poems, â€Å"Wild Geese†- from Oliver’s volume Dream Work- handles spiritual themes with clarity and directness. Oliver’s speaker confronts the question of belonging, of finding a place for oneself in the vastness of creation. Oliver, ever the poet, offers â€Å"imagination† itself as the key. Morning Glories Blue and dark blue                        Ã‚  rose and deepest rose                                                white and pink they are everywhere in the diligent                           cornfield rising and swaying                                                 in their reliable finery in the little                         fling of their bodies their                                                gear and tackle all caught up in the cornstalks.                        The reaper’s story is the story                                                of endless work of work careful and heavy but the                        reaper cannot                                              separate them out there they are in the story of his life                        bright random useless                                              year after year taken with the serious tons                        weeds without value humorous                                              beautiful weeds. *** â€Å"Morning Glories,† from Oliver’s collection White Pine, beautifully mimics its subject matter. The morning glories, with their tendency to sprawl and entangle themselves, are reflected in Oliver’s lines, which flow ever onward, unhindered by punctuation or line breaks. *** For long-standing lovers of Mary Oliver’s work, today invites us to remember her poems and prose pieces- and the epiphanies and lessons to be found there. For those new to Oliver, hopefully these poems have piqued your curiosity and opened the door to her writings.

Strategically Managing PPC Campaigns in Adwords [PODCAST]

Strategically Managing PPC Campaigns in Adwords [PODCAST] When your potential customers are looking for your product or service, how do you think they find it? Right, they usually start with Google. In order for them to find you, you need to show up in those search results. Have you wondered how to do that? Today, we’re talking to ’s own Rachel Wiinanen, our inbound marketer. She works a lot with AdWords, creating ads that will lead to click-throughs and lead to conversion. Today she’s going to tell us all about targeting the right keywords, writing engaging messaging, and optimizing your landing pages. She’ll also talk to us about what metrics to measure and share her thoughts on budgeting and goal-setting. You won’t want to miss this episode! Some of the highlights of the show include: Rachel’s job description and mission at . Rachel’s strategy for attracting the right audience through AdWords. Thoughts on writing great ad copy that gets clicks, as well as why testing is so important. How Rachel works with landing pages to boost the conversion rate. What Rachel measures when analyzing campaigns: trial acquisition cost, click-through rate, and more. She also talks about how she monitors various metrics. How to determine a budget when it comes to ads. Rachel’s best advice for someone who is new to AdWords and is just getting started. Quotes by Rachel: â€Å"Nothing is perfect, just test away. Test, test, test. There have been tons of times where I didn’t think an ad would perform very well and then outperforms other comparable ads by double.† â€Å"Things are always going to change. You’re always going to want to get more specific, more focused, more precise.† â€Å"My best advice for someone who’s new to AdWords would be don’t be afraid to test new things.†

Assignment III Example | Topics and Well Written Essays - 750 words

III - Assignment Example By the time of the end of the 19th century, the days of horses were over and around 2 million mustangs were roaming across the North American range. They now became a cash crop. A period known as ‘the great removal’ started and countless mustangs were packed in tin cans and send back to Europe or serve in foreign wars. Passing of Burro Act in 1971 was an important event for animal lovers. The act was passed by efforts of Wild Horse Annie who once witnessed bleeding mustangs carried to slaughterhouse and began a drive to defend them2. It is unfortunate that illegal helicopter roundups are being conducted in present time that defies animal rights. It is true that mustangs often sneak staples from other grazing animals. However, cruelty, such as frightening wild horses with rustling noise, is unacceptable to animal rights activists as they come out to watch hundreds of mustangs being chased by noisy machines. According to Smith, over 100 wild horses had to sacrifice their l ives in Nevada in 2009 during such round ups. According to officials, as wild horses have almost no natural killer, their number has increased excessively. Although claims are made that round ups with their relocation are for the welfare of horses, those who have watched round up operations say it was the most distressing sight they have ever seen during their lifetime3. It is unfortunate that cruel means are employed to safeguard interests when there are other ways to deal with the situation. If wild horses are really a threat to neighboring farms, building fences or other such deterrents can prevent such lands. US as a nation can certainly afford spending dollars on such creative projects that give message of kindness and empathy. It would obviously not cost amount anywhere near the money spend on going to war on Iraq or Afghanistan. On the contrary, such gestures by state authorities together with citizens would make the nation as beholder of strong values. Deanna Stillman, recou nts that that during the 16th century when European explorers were crossing the sea entering the new world, their ships across the equator often faced a situation in which it became stranded when the winds stopped blowing. In order to lighten their ships, horses were thrown overboard. It is believed that about half of the horses expired because of this. The horses that persisted helped in the Spanish conquest of the new land. Interesting to note is the comment by Stillman that horses, unlike explorers, were not newcomers to this land. They had a common DNA link with the horses in this region before the ice age4. Wild horses are not a direct threat to human beings. They may periodically harm in terms of sabotaging farming lands etc., but eliminating mustangs for such reasons is barbaric. One finds it difficult to agree with Peterson, who has herself narrated about bleeding mustangs and then agreeing with the policy of rounding up for better land management5. In US, the approach shoul d no more be Spanish explorers’ opportunistic ways of lightening things by eliminating under provocation6. Let there be resilience on state’s policies by looking beyond economic interests. I would suggest finding every other way of addressing problems raised by mustang population other than eliminating or inflicting cruelty on this vegetarian breed.

Perceived vs. Real Traits.What Would You Do Essay

Perceived vs. Real Traits.What Would You Do - Essay Example As a part of the project, a lot of drawings and diagrams were to be made. We had a team leader who was supposed to assign each member with a particular task of the project. In fact, I am a good painter and I am good in drawing too. However, the job of drawing was given to another student who was well below mediocrity in drawing as the leader could not recognize the skills in me. In addition, the task given to me was to develop a slogan related to the theme of the project; mere literature work I was very poor at. From my appearance, what he could perceive was that I was a good writer, thus I was forced to perform a task that in fact does not suit me. To prevent the issue of perceived traits, it is highly necessary to promote communication, understanding and most importantly, a friendly atmosphere. It is highly necessary to improve the team’s understanding and acceptance of diversity for harmonious functioning of the organization. Heermann (1997) suggests a method named Personal Mandala to let the team members know each other.

A Classic Shakespearean Comedy Essay Example for Free

A Classic Shakespearean Comedy Essay The Chicago Shakespeare Theatre at Navy Pier manages to combine an extravagant and lavish, while at the same time still very intimate, theatre setting with professional acting performances in every production shown. However, the production of As You Like on March 5, 2011 perhaps best exemplifies these significant qualities crucial to Shakespeare plays. Directed by, Gary Griffin, the production is able to captivate the entire audience for the complete duration of the play through its brilliant illustration of spectacle as well as strong narration. However, the most significant factor of the production would undeniably be its inclusion of an alliance of narrative, dramatic, and spectacle elements all intertwined in the overall production. Griffin depicts a traditional Shakespearean comedy with the use of vivid set design and perfect actor selection in the production of As You Like It in a way that separates the comedic production from any other previous Shakespeare play I have seen. The production does so by being able to masterfully combine Shakespearean comedic elements with deeper connotations about self-identity and the power of love crucial to all productions of As You Like It. The thematic elements prevalent throughout the production are contemporary in regards to all Shakespearean comedies in that the play revolves around mistaken identity, the many forms of love, and the resolutions of all misunderstandings in the end of the play. However, the way in which Griffin’s overall production is able to enthrall the audience through brilliant acting, audience inclusion, and beautiful theatre design in such a way that the audience isn’t forced to exert much personal imagination makes As You Like It a classic example of an ideal Shakespearean production. The Chicago Shakespeare Theatre, the producing theatre for director Gary Griffin’s adaptation of As You Like It, is a professional theatre venue and company located on 800 East Grand Avenue in Navy Pier. The theatre is ornately designed with the intent to transform the audience’s connotation of setting and to make them believe/ give the appearance that they are in an actual Shakespearean Theatre without the use of their imagination. The theatre space used for the production of As You Like It is called Jentes Family Auditorium and features a total of 510 seats on three levels surrounding the courtyard theatre’s â€Å"thrust stage†. This specific theatre was modeled/ designed with inspiration coming directly from the Royal Shakespeare Company’s Swan Theatre, evident at first glance, and thus creates an immediate intimate relationship between the actors, stage/ set design, and the entire audience seated around the three sides of the stage. While part of the set is elevated as a â€Å"stage†, the entire area/ space of the theatre is used by the actors throughout the production; when this is incorporated with the fact that no seat is more than thirty feet from the stage, a feeling of intimacy between actors and audience is ever-present. For instance, the audience is engaged into the action of the play immediately by the way in which the stage extends through the middle of the first-floor seating allowing the appearance/ feeling of the actors walking directly out into the middle of the audience members. In an analysis of the overall production of As You Like It it is evident that even though the set, stage, and use of props and vivid images are riveting, the inclusion of an â€Å"all-star ensemble† of some of Chicago’s finest actors is truly the underlying nature in exemplifying the statement that the production is indeed Shakespeare’s â€Å"glorious romantic comedy†. The actors play courtiers, clowns, philosophers, and locals all who are under the classic comedic spell of the trials and conquests of love as the main character, Rosalind, must disguise herself as a boy in order to escape the royal court. The characters, following Rosalind’s lead, venture into the timeless Forest of Arden where Rosalind finds herself trapped by love and mistaken identity in her attempt to teach the man she loves how to win the women of his dreams. A traditional element present in the production of Shakespearean comedies such as As You Like It, is undeniably the inclusion of both a dominant and a secondary major female characters. The significance of the secondary female lead is often determined by the skill of the actress portraying that role. The actress can make the character seem somewhat mysterious and forgettable, as seen by the DePaul student’s portrayal of Hero in Much Ado About Nothing, or she can appear as significant and mesmerizing as the lead female. In Griffin’s production of As You Like It this notion of the importance of ctor/ character portrayals is illuminated. For instance, one of the most memorable characters in the entire play is Cecilia, the secondary female character played by Chaon Cross. Cross is able to depict the comedic character almost perfectly through well-rounded acting and clear knowledge of Shakespearean language. In Cecilia’s character, Cross symbolizes a playful, charming, immensely loyal, witty and charismatic supporting female role. This is apparent in her juxtaposition of speech and comedic body language. Crucial plot and thematic elements of As You Like It are depicted by the actors as well. For instance, the review on human life illustrated by the character Jaques, played by Ross Lehman in this production, is witnessed in  Lehman’s acting skills in his performance as Jaques. He emphasizes the faults and ambitions of life in a funny and touching manner by offering both comedic and emotional moments for the audience throughout the play. There are many other characters in the production that portrayed memorable performances illuminating the underlying themes and comedic elements present in the correct use/ knowledge of Shakespearean language and acting. These actors included:   Kate Fry as Rosalind, Matt Schwader as Orlando, Dennis Kelly as Adam, Phillip James Brannon as Touchstone, Matt DeCaro as Duke Frederick, Kevin Gudahl as Duke Senior, and Elizabeth Ledo as Phoebe. Each character possesses unique and intricately detailed costumes and character traits crucial to the understanding of the overall production. The costumes are vivid with detail and evoke the use of imagination and feeling that the audience is witnessing the action of the play within actual setting of certain scenes (whether the orchard, royal court, or forest). The differences in characters’ personality, social class, and hierarchy alongside other characteristic elements are illuminated through the costumes intricate glamour and detail juxtaposed with a more simplistic but still vibrant use of props and set. In addition to individual actor performances, the Chicago Shakespeare Theatre’s production of As You Like It signifies the epitome of Shakespeare’s ’â€Å"glorious romantic comedy† through the use of a unique/ one of a kind setting. The set designs present are an attractive and ubstantial visual supplement to the action taking place on stage at every point throughout the progress of the play. This can be perceived in almost every scene of the production but is most notably present in the opening scene, depicting a lush/ vivid apple orchard with minimalistic use of props, as well as the more luxurious forest setting that accompanies it. The scenery presented by lighting, sound, props hanging from the ceiling, and the perception of depth in the stage prominently adds to the attraction and understanding of the production. The lighting and music of the production present in set/ scene changes enhances the plot developments as well as the overall journey and adventure portrayed in the play’s narrative nature. The set design of various different scenes is thus completely believable and enchanting; employing the audience’s complete inclusion into the imaginative world of the production. Alongside the appearance of setting in the various scenes, the intricately detailed costumes are exquisite and add a visually appealing aspect to the performances of the actors. At the same time, the creativity and uniqueness of each character’s costume mandates the audience’s teleportation from the feeling of watching a traditional play to the feeling that they are in fact present in this magical/ timeless world of As You Like It. Overall, As You Like It, a production shown by the Chicago Shakespeare Theatre, is a professional and glamorous portrayal of traditional/ contemporary Shakespearean comedy. Every aspect of the theatre and production is employed into the narrative element of the play which makes this adaptation of As You Like It unlike any other theatre experience. For instance, the elaborate theatre space is perfect for setting the mood of seeing a professional Shakespearean production and the way in which the stage is the center of vision no matter where you sit in the audience allows sound to travel in a surreal, surround sound manner only enhances this feeling. The actors’ use/ knowledge of Shakespearean language in conjunction with their use of space (entire theatre used as stage while most of the action is mere inches away from the first row of audience members) makes the production flow well while at the same time enhancing the professional feel of the production as well. In this professional nature of the production nearly every aspect and element of Shakespearean comedy is exemplified. Through Gary Griffin’s production of As You Like It, the Chicago Shakespeare Theatre is able to directly exemplify the notion of ideal Shakespearean plays and why these plays still remain so popular and relevant in our society today even four hundred years later.

The Publishing Career of Isabella Whitney Essay -- Author Writer Isabe

The Publishing Career of Isabella Whitney The English Renaissance was a time of great literature. The world was changing and people were exploring their boundaries. In a time of such opportunity, women were often excluded. For instance, it was very difficult for women to receive education. Even if they did, it was extremely difficult for them to be accepted as writers and nearly impossible to have their work published. Only a small number of women writers succeeded in having their works published because of the many social barriers. One of the few women to overcome these obstacles was Isabella Whitney. She grew up in a middle-class family in Cheshire, England. Little is known about her family except that she was the sister of the Protestant poet Geoffrey Whitney, who wrote Choice of Emblems (Todd). She worked for aristocratic households where she encountered many opportunities to learn, but she was never formally educated (Krontiris). In addition to this self-education, she spent a lot of time reading, which enriched her knowledge. During the Renaissance, it was looked down on when women read anything other than the Bible. People thought that women must have Divine intervention to guide their interpretations of literature; if they did not they were looked at suspiciously (Krontiris). This shows that during the English Renaissance women were viewed as being basically incompetent. They were not thought of as even being capable enough to read something and interpret it for themselves. Knowing this, Whitney had a lot of obstacles to overcome in order to be a successful poet. She tried to avoid criticism in many different ways. For instance, Isabella Whitney was the first professional woman poet in British literatu... ... make a way for themselves. It is strange to think about what the world would be like today if not for women like Isabella Whitney. If not for her, women might still be prohibited from publishing their written works. She and the women who followed in her footsteps created the opening of minds that allowed the possibility of women’s equality to men. I am sure Whitney had no idea the impact she would make not only on literature, but on women, and the world. Works Cited Clark, Danielle. The Politics of Early Modern Women’s Writing. England. Pearson Education Limited, 2001. Krontiris, Tina. Oppositional Voices: Women As Writers and Translators of Literature in the English Renaissance. London. New York: Routledge Publishing, 1992. Todd, Janet. British Women Writers A Critical Reference Guide. Continuum New York: Continuum Publishing Company, 1989. The Publishing Career of Isabella Whitney Essay -- Author Writer Isabe The Publishing Career of Isabella Whitney The English Renaissance was a time of great literature. The world was changing and people were exploring their boundaries. In a time of such opportunity, women were often excluded. For instance, it was very difficult for women to receive education. Even if they did, it was extremely difficult for them to be accepted as writers and nearly impossible to have their work published. Only a small number of women writers succeeded in having their works published because of the many social barriers. One of the few women to overcome these obstacles was Isabella Whitney. She grew up in a middle-class family in Cheshire, England. Little is known about her family except that she was the sister of the Protestant poet Geoffrey Whitney, who wrote Choice of Emblems (Todd). She worked for aristocratic households where she encountered many opportunities to learn, but she was never formally educated (Krontiris). In addition to this self-education, she spent a lot of time reading, which enriched her knowledge. During the Renaissance, it was looked down on when women read anything other than the Bible. People thought that women must have Divine intervention to guide their interpretations of literature; if they did not they were looked at suspiciously (Krontiris). This shows that during the English Renaissance women were viewed as being basically incompetent. They were not thought of as even being capable enough to read something and interpret it for themselves. Knowing this, Whitney had a lot of obstacles to overcome in order to be a successful poet. She tried to avoid criticism in many different ways. For instance, Isabella Whitney was the first professional woman poet in British literatu... ... make a way for themselves. It is strange to think about what the world would be like today if not for women like Isabella Whitney. If not for her, women might still be prohibited from publishing their written works. She and the women who followed in her footsteps created the opening of minds that allowed the possibility of women’s equality to men. I am sure Whitney had no idea the impact she would make not only on literature, but on women, and the world. Works Cited Clark, Danielle. The Politics of Early Modern Women’s Writing. England. Pearson Education Limited, 2001. Krontiris, Tina. Oppositional Voices: Women As Writers and Translators of Literature in the English Renaissance. London. New York: Routledge Publishing, 1992. Todd, Janet. British Women Writers A Critical Reference Guide. Continuum New York: Continuum Publishing Company, 1989.

How does John Steinbeck use language in different ways in “Of mice and men?” Essay

John Steinbeck uses language in different ways throughout the story. It creates imagery and helps you understand the story even better. Also it indicates differences in characters and the setting of the story. Steinbeck uses non-standard English for dialogue. Lennie is portrayed to be a slow childish character; he acts like a child asking George lots of questions about there ‘dream’. Lennie repeats this quite a lot â€Å"George how longs it gonna be till we get the rabbits?† This is Lennies dream to have rabbits, and Steinbeck repeats this dream it’s a kind of rhythm throughout the book. Also Lennie is more of a listener he doesn’t speak much to other characters apart from George unless he has too. He asks George frequently to â€Å"tell† him â€Å"about that place† where they are planning to move to when they have enough money, Lennie listens to George as though he was a parent or guardian and gets excited while George tell him. This gives us the impression that George looks after Lennie and keeps him safe. Steinbeck makes George seem rather parent like. George is a talker, he tells the story of him and Lennie moving away to a place of there own often to Lennie. We get the impression that George sometimes gets rather sick of Lennie as he repeats things and asks George to tell him â€Å"the story† we can see this by â€Å"I jus’ tol’ you, jus’ las’ night† this is wrote in an American way of speaking, he uses imagery as when you read this you say it to yourself in your head and you can imagine the way George is speaking. Also George seems to swear quite a lot and mainly towards Lennie where he calls him a â€Å"crazy bastard† this use of profanity and pronunciation portrays George to be rather uneducated, we can expect this as Steinbeck was a farm labourer for a time. The story was set in the 1930’s black people where very disrespected and used for slaves in these days. Also they wouldn’t be referred to as ‘black people’ it would be much more racial as we can see from what they call Crooks â€Å"nigger†. When crooks addresses Slim he calls him â€Å"Mr slim† none of the other characters address him in this way, this shows us that he has respect for Slim and that he believes Slim is a man of importance rather like the boss. Slim is portrayed to be â€Å"almighty† we get the impression that Slim is looked up to by the other men, they respect him and when they need answers or advice it is usually Slim to whom they turn to. As when Curley and Lennie fight it is Slim who everyone turns to. George asks him â€Å"Slim will we get canned now?† This shows he has power and the men believe he can take authority in situations like this. Steinbeck makes the characters dialogue very brief and it lacks detail they say what is necessary without detail, whereas when Steinbeck is describing a character or a place he uses descriptive language and Standard English, also he uses American dialect for certain words. Throughout the book there is few long sentences he uses short sentences. The way he describes places and characters is very different to the dialogue, he uses imagery in both but in different ways in dialogue he uses the shortening of words and there simple ways to help us imagine, whereas in his exposition he describes things in much detail and uses colours effectively. Also for certain words he uses an American dialect to replace them.

Gangnam Style Speech

If the phrase â€Å"Oppa Gangnam Style† doesn’t mean anything to you yet, you may want to Google it or ask your friends about it, or you’ll be left wondering why everyone is hopping up and down on invisible horses. The combination of catchy riffs and the corny-yet-hip dance moves made the music video by Korean artist Psy (short for â€Å"Psycho†) the most â€Å"liked† YouTube video of all time. Who is this Psy? Where exactly is Gangnam and what is its style? Well, I have all the answers for you.Today, I’d like to share you about Gangnam Style including a man behind Gangnam Style, the meaning of Gangnam Style, and its achievements. First, a man behind gangnam style. Park Jae Sang, known as PSY, is a Korean hip hop artist under YG Entertainment. He debuted in January 2001 with his full-length album titled â€Å"PSY†¦ From the Psycho World! â€Å", for which he later had to pay fine due to accusations saying that the album contains  "inappropriate contents†. Since then PSY has become a controversial artist as his second album was even banned in 2002.However, he gained much fans with his style of music. He is especially popular for his sense of humor. In summer 2012, PSY launched himself into an international stardom through â€Å"Gangnam Style,† the song that he wrote, composed and produced by himself. The term â€Å"Gangnam Style† was listed in Time's weekly vocabulary list as a manner associated with lavish lifestyles in Seoul's Gangnam district. Gangnam is the area where rich and fashionable young people get together. This song describes a guy who wants to be cool and stylish like a typical Gangnam person, but eventually fails.Psy said in an interview that he intended a twisted sense of humor by claiming himself to be â€Å"Gangnam Style† when everything about the song, dance, looks, and the music video is far from being such a high class. â€Å"People who are actually from Gangna m never proclaim that they are—it's only the wannabes that put on these airs and say that they are â€Å"Gangnam Style†Ã¢â‚¬â€so this song is actually poking fun at those kinds of people who are trying so hard to be something that they're not. † – Psy. Now we know about Psy and Gangnam Style more, right?Third, let’s talk about the achievements of the song and its accompanying music video â€Å"Gangnam Style† was recognized by Guinness World Records as the most â€Å"liked† video in YouTube history and won Best Video at the MTV Europe Music Awards. The song reached the number one position in more than 30 countries including Canada, France, Germany, and the United Kingdom. As if that’s not enough, Psy himself visited the U. N. and taught Gangnam Style dance moves to Secretary General Ban Ki-moon. Together, they rode invisible horses.According to the United Nations, PSY has become an â€Å"international sensation† through h is song â€Å"Gangnam Style Psy is far from the word â€Å"handsome† but he chose not to have a plastic surgery. He had kind of a tough run to this point. As we all know that Korean music is exceptionally focused on looks, and Psy is not a good looking guy, so he had to work his way to the top. It took him six albums to become a superstar. I admire Psy a lot because he is true to himself. He reminded me of Sebastian's line in The Little Mermaid that â€Å"You got your own style, now let it come through. And remember no matter what, you got to be you. â€Å"

How to Pronounce Mobile

How to Pronounce Mobile How to Pronounce Mobile How to Pronounce Mobile By Maeve Maddox A reader wonders about the American pronunciation of the word mobile: When Americans refer to the thing that all of us carry around as our personal digital appendage, they rhyme it with â€Å"bill.† The rest of the world (i.e., where I live) pronounce it to rhyme it with â€Å"bile.† Im not talking about the adjective â€Å"mobile,† but the noun â€Å"mobile,† short for â€Å"mobile phone.† Does this have to do anything with the gas company which sounds the same? The word mobile functions as both an adjective and as a noun: Adjective The  mobile technology  may be a lot different in terms of the Internet platform, but they basically share a common medium: the Web. - Americans pronounce the adjective mobile to rhyme with noble. Noun Sallie bought a darling Winnie-the-Pooh mobile to hang above the babys bed. - Americans pronounce the noun mobile to rhyme with toe-heel (MOH-beel). The city in Alabama is usually pronounced MOH-beel. Sometimes it is pronounced moh-BEEL. The petroleum company spells its name Mobil and pronounces it MOH-bil. Its progenitor, Mobilgas, was founded in the 1920s; Americans were already pronouncing mobile to rhyme with noble. So, when did those wretched Americans start mispronouncing mobile? They didn’t. British speakers shifted their pronunciation of words ending in -ile from a short vowel sound to a long one. OED lexicographer R. W. Burchfield noted, â€Å"The division didn’t become clear-cut until about 1900.† This is how Charles Elster (The Big Book of Beastly Mispronunciations) puts it: throughout the 18th and 19th centuries, both British and American speakers pronounced -ile either with a short i (as in pill) or an obscure/silent i (as in fossil). For example, the English elocutionist John Walker, whose Critical Pronouncing Dictionary (1791) had a profound influence on both sides of the Atlantic well into the 19th century, favored the short i in nearly all -ile words, including juvenile, mercantile, and puerile, citing only chamomile, infantile, and reconcile as long i exceptions. In the 20th century, Americans were less consistent in their customary preference than the British were in their newfound preference, and the long i made some inroads in American speech. In regard to the question that prompted this post, Americans call those â€Å"personal digital appendages† neither MOH-biles nor MOH-bils. We call them cell phones. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Spelling category, check our popular posts, or choose a related post below:Comparative Forms of Adjectives"Latter," not "Ladder"Dissatisfied vs. Unsatisfied

The Complexity of Compounds

The Complexity of Compounds The Complexity of Compounds The Complexity of Compounds By Mark Nichol A site visitor asked about the correct usage of a word used to describe meetings held in a face-to-face format rather than in a classroom-seating orientation. Is such a gathering a round table, or a roundtable? When describing a piece of furniture with a circular surface, we write â€Å"round table.† But as often occurs when a quotidian term develops a new sense, the treatment changes. Unfortunately, this development is haphazard and inconsistent, partly because we are within the transition zone for much of our vocabulary, and various dictionaries may diverge in their treatment of a specific term. However, the predominant form for the sense of â€Å"face-to-face group meeting† is now roundtable. (But maintain distinctions for various senses: â€Å"King Arthur’s Round Table was literally a round table as well as an assembly of his supporters, at which they not only feasted but also held roundtables.†) This type of evolution occurs often in commercial and organizational contexts. Other open compounds undergoing such a transformation include â€Å"life cycle† (to describe the cyclical nature of products and systems) and â€Å"road map† (in reference to the course an organization takes for itself or for a product or service). However, in the biological sense of â€Å"life cycle† and the literal cartographic sense of â€Å"road map,† these compounds remain open, though that status may change. (See this post, which describes the life cycle of compound words.) Why does this change occur? Humans have a natural tendency to simplify or consolidate things, including language. And in an open system such as language development, it is easy for nonstandard terminology (slang, jargon, and so on) and treatment (abbreviation, contraction, capitalization, spelling, and so on) to take hold and prevail. When writers make assumptions without verification about how compound words are styled- including such transitional forms as by-product and mind-set, styling them byproduct and mindset- those forms replicate virally as others see them in published materials and uncritically employ them. That is the process of evolution by which â€Å"round table† will almost inevitably become roundtable not just in organizational jargon but also in everyday use to describe household furniture, and by which lifecycle and roadmap are likely to someday apply in all connotations, and by which byproduct and mindset will become standard. But the tipping point for these forms has not yet arrived, so continue to refer to reputable sources and observe the â€Å"round table†/roundtable distinction as well as the others noted here. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Spelling category, check our popular posts, or choose a related post below:50 Rhetorical Devices for Rational WritingTen Yiddish Expressions You Should Know"To Tide You Over"

Problem of free will Essay Example | Topics and Well Written Essays - 1000 words

Problem of free will - Essay Example Determinism poses some threats to the concept of free will. The first threat is the ability to choose between alternatives. Acting with free will requires the possibility of alternatives but determinism argues that there is only one possible outcome to an event based on interceding events. The second threat concerns control in shaping events. Free will requires control of an individual’s events through choices. Determinism, on the other hand, holds that past events and the laws of nature provide a casual correlation to the events of an individual and therefore lack control over the events. The problem of free will is to reconcile determinism with free will in a state of with cause and effects where events have a casual chain. To settle this problem, it is necessary to reject some concepts or demonstrate that all the concepts of free will and determinism are consistent (Rauhut 2010). Now that we have established the problem of free will, I will argue that we must reject the concept that free will is not compatible with determinism and endorse compatibilism. This argument will demonstrate that there is a deterministic connection between and individual’s actions and will. This connection enables one to take responsibility for actions such as taking blame or credit. An individual who is free from coercion possess the freedom of action, which is identifiable with free will. This view recognizes the casual chain of events, which relate back to an indefinite time and consistent with the laws of nature and with the design of an omniscient God. Because will is included in the chain of events, individuals have free will. Accordingly, people choose according to their greatest desire, which is guided by their moral nature. In essence, this means that individuals are free to choose but these choices are determined by the condition of the mind and heart. Compatabilism maintains that if there is the choice of

Gucci Essay Example | Topics and Well Written Essays - 2000 words

Gucci - Essay Example This essay analyzes one of the leading luxury product brands. And the name of it is Gucci. The brand is associated with symbol, name, design etc of a firm that helps a company to distinguish itself from others. The brand name or image is used by the companies for marketing and advertising its products. The positive image of the brand is an important asset of the firm. It helps the company in creating good impression in the mind of targeted customers. A brand is often represented by logo (Batey, 2012). It is protected by secure trademark. A company makes people aware of its products and services by marketing its products through various channels. In the competitive market of fashion industry, Gucci always maintains its strong brand image. This brand is so popular that in spite of its high price, the company has several customers in different parts of the world (Blackburn, 2012). The concerns of the company about its customers and its high quality of products contribute in developing p ositive brand image of Gucci. Gucci is highly conscious about its resonance. The company tries to satisfy its customers and increase their engagement with the brand by providing them complementary gifts with every purchase. The firm provides the facility of same day deliver in New York. The response of the customers to the brand is highlighted in this step. The company got to know the buying behaviour of the customers by understanding their judgement and feelings towards products. Gucci aims to deliver best goods of high quality. The brand position of Gucci is highlighted in this essay.